Ebaru Publishing, (727)442-6828: Violin Book®, Elements of a TENSION-FREE BOW HAND, <i>with ETUDES</i>

THE VIOLIN BOOK^®

Elements of a Tension-Free Bow Hand,
with Etudes
Book 6a

This Masterful Book digs deeply into the secrets of a flexible, professional bow hand which can make the violin "Cry," "Sing" and come "vibrantly alive," in a fun and simple way everyone can understand!

This book covers the basic hand, finger and arm motions which make up both smooth and articulated strokes.

Explore the basics of "weightlessness," "levers" and other scientific "must know" phenomena that open up vast doors of understanding of the actions of the bow hand.

You'll love the great examples, fun experiments and clear explanations and Illustrations which make this book shine!

Violin Book 6a compliments and should be studied along with the materials in Violin Book 6.

Learn the important elements of "SIGHT READING," and enjoy the fun etudes to sharpen your skills. (Pp. 2-3)

What are the secrets of "Cueing," and how do they improve your ability to start pieces with finesse and confidence. (Pp. 8-9)

What are the secrets to muscle memory? Discover exactly how your muscles develop from practicing! (Pp. 23-30)

What exactly are the "System of SPRINGS" as referred to in Galamian's Principles of Violin Playing and Teaching?

What is the Theory and Science behind how a bow arm works? (Pp. 45-49, 72-73, 92-93)

Once the student is presented with the full theory of the basics of bow arm springs, the student is walked, step-by-step, through a total inspection of all the individual actions of the wrist, arm and fingers for both the up and down bow strokes. Couple this with a step-by-step analysis of smooth bow changes at both the frog and the tip, and drill each action, and the student will obtain remarkable results!

How exactly do the fingers move to create staccato and different articulated strokes? (Pp. 101-110)

What happens if your wrist or other parts of the bow arm don't want to move? (Pp. 112-115)

What about the Left Hand Fingers? How exactly do they move to create maximum clarity in sound? (Pp. 34-35)

Finally, you fine tune your skills with specially selected ETUDES from the works of Hohmann, Wohlfahrt, Schroeder, Vaning and Sevcik, amongst others.

Treat yourself to smooth, fluid bow strokes and crisp, articulated staccato while you build your left hand technical prowess with Etudes.

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